new works & voicings

SSA or SATB Chorus & Piano   |   5'   |   Graphite   |   Text: Barbara Crooker

A piece about surfing, longing for another life, and embracing your own abilities. In this lush setting, the piano represents the ocean itself, and the singers’ voices coast along its swirling waves.

SSA or TTB Chorus & Piano   |   6.5'   |   Graphite   |   Text: Dale Trumbore

"Teach me how to swallow a fate defined by the absence of you."

For the Daughter I May Never Have contemplates whether or not to have a child in a piece that is by turns funny, poignant, and heartfelt.

SSAA or SATB Chorus  |   3'   |   Boosey & Hawkes   |   Text: Stacy Gnall  

Newly available for SATB Chorus, Flare is constantly in motion, a rhythmic race "through trees with bursting limbs" that drives toward the last line: “big brother, I am catching up to you.” This piece was commissioned by the 32 choruses of the ACDA Women's Commission Consortium.

SSAATTBB Chorus  |   7'   |   Graphite   |   Text: Laura Foley

Laura Foley’s poem “And So” unfolds as one uninterrupted thought. This poem imagines a place where the only storm outside is a snowstorm, and the choice to stay inside with our loved ones is wholly, blissfully ours.

SATB or SSAA & Piano   |   5'   |   Graphite   |   Text: Abby N. Lewis

 In Vital Dance, a night of insomnia gives way to a meditation on life and death. This piece alternates between a precise, almost metronomic motive and freer, lulling arpeggios—a hazy dream-state in which we’re counting our minutes or suspended in a timeless dance.

SATB, SA, or TB Chorus & Piano  |   4.5'   |   Graphite   |   Text: Frederick Douglass

Half the World sets several paragraphs of Frederick Douglass’s impassioned 1888 speech on the right of women to vote. "When a great truth once gets abroad in the world,

no power on earth can imprison it, or prescribe its limits, or suppress it.

It is bound to go on till it becomes the thought of the world."