top of page

bestsellers

SATB or SA Chorus, Cello & Vibraphone  |  3.5'  |   Graphite  |  Text: Annie Finch

Poet Annie Finch’s text for "Butterfly Lullaby" includes the beautifully evocative names of real butterflies—”wild indigo duskywing,” “southern cloudywing”— in a haunting lullaby for one, butterfly or child, who will inevitably fly away.

SSAA or SATB a cappella   |   3'   |   Boosey & Hawkes  |  Text: Stacy Gnall  

Flare is constantly in motion, a rhythmic race "through trees with bursting limbs" that drives toward the last line: “big brother, I am catching up to you.” This piece was commissioned by the 32 choruses of the ACDA Women's Commission Consortium.

SATB or SSAA Chorus & Piano  |  5.5'  |   Graphite  |  Text: Barbara Crooker

Barbara Crooker's text for "In the Middle" describes our need to connect in the rush of ordinary life. The piano serves as an unreliable time-keeper, ebbing and flowing as our perception of time does. The word “time” itself occurs over and over within the piece, serving as a sort of refrain, a reminder to slow down.

SA, TB, or SAB chorus & vibraphone (or piano)  |  3'  | Graphite  |  Text: Dale Trumbore

This luminous lullaby narrates the experience of watching sea turtles hatch, guiding the listener through darkness with tender repetition and quiet resolve. Its imagery embeds real aspects of a baby sea turtle's journey—the struggle to find the light of the moon and walk toward the sea—in a larger metaphor about finding the right path.

SATB, SSAA or TTBB a cappella  |  4'  |  Graphite   |   Text: Dale Trumbore

"You see yourself reflected... You learn to love what you see."

This vibrant new piece is about those rare moments when a single experience reshapes you: you visit a place or meet a new person and learn something about yourself you'll carry with you for the rest of your life.

SATB or SSAA a cappella   |   4'   |   Mark Foster Series  |  Text: Laura Foley

Not just an exultation of happiness, Threads of Joy recognizes how we emerge from darkness and pain back into light. The music captures this duality

in ever-shifting prismatic harmonies.

bottom of page